My plays span genre and form: set anywhere from the London Underground to the South Pole, following  cardboard-box-people to a woman who wants to be a donut. Despite their seeming disparity, my plays often stem from the paradoxical state of being both the oppressor and the oppressed. My work explores how individual  acts of complicity add up to prop up and perpetuate systems of harm. How do our own human acts of ignorance, silence or carelessness help create  inhuman systems of white supremacist, capitalist patriarchal oppression? And, more imaginatively, how do we transform ourselves?